A CLOCKWORK ORANGE (1971)
An “ultra-violent” discussion of free will, human nature, and what it means to be good. At least, I think that’s what’s happening?
KING KONG (1933)
The original monster movie continues to thrill when it comes to its giant gorilla. The rest of the movie has not aged as well.
DESPERATELY SEEKING SUSAN (1985)
Madonna’s first major movie role was in this extremely 80s update of the screwball comedy.
THE SHAWSHANK REDEMPTION (1994)
A wildly popular, theoretically inspirational prison drama slash… allegory? metaphor? daydream?
ÉL (1953)
At one time one of the lesser-known films of the great director Luis Buñuel, this melodrama about abuse and privilege now seems decades ahead of its time.
PSYCHO (1960)
Alfred Hitchock’s sort of crazy little thriller basically invented the slasher genre and is still studied by film nuts sixty years later.
WILLOW (1988)
A mostly forgettable High Fantasy romp, with Warwick Davis playing a literal little guy fighting an evil sorceress.
2001: A SPACE ODYSSEY (1968)
Kubrick’s Science Fiction masterpiece is more of a grand artistic statement than a movie. I love it so much.
DAZED AND CONFUSED (1993)
Teens hang on the last day of school, 1976, in Austin, Texas. Not much happens. Mostly in a good way, I promise.
SHAFT (1971)
He’s a Black private dick who’s a sex machine with all the chicks, but I found his movie not as interesting as one might think.
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