Perhaps the definitive Wes Anderson movie is about a New York family with, um, some issues. How willing you are to get on the movie’s wavelength will probably determine whether you love it or remain baffled.
Category Archives: Bill Murray
TOOTSIE (1982)
Dustin Hoffman shows women how to be a real feminist in maybe my least favorite of the AFI’s “Top 100” American movies.
GROUNDHOG DAY (1993)
A deep philosophical tract about the meaning of life, in which the main character keeps trying to commit suicide. Also a comedy where a groundhog drives a truck.
SCROOGED (1988)
A Christmas Carol for the 1980s, extremely cynical and with more people getting hit in the face with toasters.
GHOSTBUSTERS (1984)
Deadpan responses to bizarro, otherwordly threats lead to an all-timer of a comedy.
Movie Valhalla 