CYRANO DE BERGERAC (1950)

With the latest in a long history of “Cyrano” adaptations currently in theaters (somewhere), we revisit perhaps the most faithful adaptation of the original play, for which José Ferrer became the first Hispanic actor to win an Oscar.

LILIES OF THE FIELD (1963)

Sidney Poitier, who passed away earlier this month, became the first Black actor ever to win a Best Actor Oscar for his role as a handyman helping out a bunch of nuns in the desert.

THE ROYAL TENENBAUMS (2001)

Perhaps the definitive Wes Anderson movie is about a New York family with, um, some issues. How willing you are to get on the movie’s wavelength will probably determine whether you love it or remain baffled.

A CHRISTMAS STORY (1983)

An extremely beloved holiday classic about a small child in 1940 who only wants one thing for Christmas. But what if he shoots his eye out?

THE BISHOP’S WIFE (1947)

Cary Grant is an angel who appears in the life of a tightly-wound workaholic bishop, but ends up attracted to his wife in a movie that is effortlessly charming, but also simultaneously so weightless that it seems on the verge of evaporation.

HOME ALONE (1990)

Holidayfest ’21 starts with a heartwarming holiday tale of a small child setting grown men on fire and torturing them with spiders.

HANNAH AND HER SISTERS (1986)

This family comedy/drama centering around two Thanksgiving dinners is thought of by many critics as Woody Allen’s best film, though as a collaboration between Allen and his then-wife Mia Farrow there are some major elephants in the room.

THE FRIGHTENERS (1996)

The vote winner for our Halloween Feature is more interested in its (now somewhat dated) special effects than in, you know, being a good movie in any particular way, unfortunately.

CAR WASH (1976)

A small but really interesting comedy about the workers on one long day at a car wash, with an ultra-famous disco track for a title song.

MY MAN GODFREY (1936)

One of the screwiest of all screwball comedies not only has plenty of jokes , but skewered the vacuity of the upper classes in a way that still resonates today.