I still think this enjoyable adventure story holds up, though the story of its shooting in the Congo (including possible accidental cannibalism) is now at least as famous as the movie itself.
HOW WAS THIS EVER OK, BABY BOOMERS? WHAT IS WRONG WITH YOU? But the cinematography is pretty and there are a lot of great one-liners.
A story about a normal human who is confronted with genius and it slowly drives him insane. I think I might like this movie so much because of my own psychological problems, but I definitely like it a lot.
Describing the plot of this movie, where one serial killer helps a trainee FBI agent catch another, does not do justice to how spectacularly well made and acted it is.
Maybe the first big blockbuster, somehow still leaving viewers flabbergasted a century later. Also one long missive about “cancel culture,,” basically.
This “jukebox musical” of patriotic Broadway hits showcases James Cagney’s powerhouse performance, but that’s basically the only part of the movie that works for me.
A portrait of a coal mining community in 1970s Kentucky, where the company is king but the locals risk life and limb to unionize, as did the filmmakers to tell their story.
As March Madness continues in Indiana, we revisit this 1980s piece of “Pepperidge Farm buncombe” that’s somehow effective despite basically nothing that happens off a basketball court working at all.
Those who know Jessica Walter’s work on “Arrested Development” may be interested in her early performance as a crazy stalker terrorizing Clint Eastwood’s handsome jazz DJ.
Sort of the prototypical modern romantic comedy, beloved by many. I appreciated it more than enjoyed it, I think.