12 ANGRY MEN (1957)

Perhaps the greatest of all “talky dramas,” beloved despite (or because of?) taking place almost entirely in one room.

REAR WINDOW (1954)

Jimmy Stewart becomes obsessed with watching his neighbors live their lives through his window, and maybe we do too.

A PLACE IN THE SUN (1951)

A somewhat dated melodrama about people who are deeply unhappy despite being extremely pretty. One of them falls out of a rowboat.

ROMAN HOLIDAY (1953)

Audrey Hepburn is a princess slumming it with Gregory Peck’s American reporter in this high-class 1950s version of the same movie that Netflix has made like ten times already.

HIGH NOON (1952)

A western parable in which Gary Cooper is very convinced he is right and everyone else is wrong. He would have fit right in on Twitter.

WHITE CHRISTMAS (1954)

Great Irving Berlin songs, great performances, and a plot you shouldn’t think about too hard.

BEN-HUR (1959)

The biggest hit of its day has a supreme technical achievement slung over a story that feels to me like middling Bible fanfic.

REBEL WITHOUT A CAUSE (1955)

James Dean’s most famous role, in the movie that kind of invented being a teenager.