A very early drama about the effects of poverty from the first famous female director.
A tiny boxing movie about a bunch of weirdos that became a massive cultural smash. I like some parts.
This over-the-top melodrama about mothers and daughters from director Douglas Sirk was considered populist trash at the time and is today seen as high art.
Federico Fellini’s exaggerated childhood memories form the basis for this story of a year in the life of a 1930s Italian small town.
A truly amazing movie that takes a negative stereotype and helps us understand him, in beautiful technicolor, with some of the most interesting performances I’ve seen, all made in England during the Blitz.
A Hollywood satire decades ahead of its time, but also in my opinion a total mess as an actual movie.
Ingmar Bergman’s allegorical classic about the absence of God during a plague really, really hit home with me on this viewing. Wonder why?
Orson Welles’ “Citizen Kane” follow-up was cut-up by the studio but remains extremely impressive technically. I found myself mostly annoyed at the characters.
An aggressively minimalist postwar Japanese family drama from Yasujiro Ozu, about a daughter who just wants to take care of her aging father, even though everyone else wants her to get married to literally anyone.
A mid-century melodrama in which Frank Sinatra plays a soldier returning to a small town. It has some interesting shots but never really rises above its potboiler status.