Jimmy Stewart becomes obsessed with watching his neighbors live their lives through his window, and maybe we do too.
The ultimate feel-good movie, or harrowing exercise in existential angst? Possibly both.
If Frank Capra’s particular brand of idealistic American mythmaking feels dated today, that may be more our problem than his.
Perhaps Hitchcock’s weirdest, most dream-like film, it makes no sense, but it also might be perfect.