A truly amazing movie that takes a negative stereotype and helps us understand him, in beautiful technicolor, with some of the most interesting performances I’ve seen, all made in England during the Blitz.
Orson Welles’ “Citizen Kane” follow-up was cut-up by the studio but remains extremely impressive technically. I found myself mostly annoyed at the characters.
Perhaps the most campy and nonsensical of all 1940s murder mysteries, I love it so much.
An aggressively minimalist postwar Japanese family drama from Yasujiro Ozu, about a daughter who just wants to take care of her aging father, even though everyone else wants her to get married to literally anyone.
Bing Crosby plays a laid-back, musical priest in this very laid-back musical that was a huge hit in the middle of World War II but mostly forgotten today.
Perhaps the definitive “neorealist” film, shot in the rubble of Occupied Rome just after the Nazis had left.
This “jukebox musical” of patriotic Broadway hits showcases James Cagney’s powerhouse performance, but that’s basically the only part of the movie that works for me.
I really enjoyed this dream-like film noir about a doomed man’s wanderings through Belfast.
One of the best remembered comedies of the great Preston Sturges, about a director who is tired of making comedies.
This is a movie as “outsider art,” an unfiltered detour into a religious mind without an insincere bone in its body.