THE BISHOP’S WIFE (1947)

Cary Grant is an angel who appears in the life of a tightly-wound workaholic bishop, but ends up attracted to his wife in a movie that is effortlessly charming, but also simultaneously so weightless that it seems on the verge of evaporation.

THE BEST YEARS OF OUR LIVES (1946)

A surprisingly universal and human story of three soldiers returning to their home town after World War II, from decades before “PTSD” was a term.