THE BISHOP’S WIFE (1947)

Cary Grant is an angel who appears in the life of a tightly-wound workaholic bishop, but ends up attracted to his wife in a movie that is effortlessly charming, but also simultaneously so weightless that it seems on the verge of evaporation.

WUTHERING HEIGHTS (1939)

The most Hollywood version of Emily Brontë’s weird, gothic masterpiece, which is still pretty weird and gothic if that’s what you’re into.

MUTINY ON THE BOUNTY (1935)

I spent most of this classic Best Picture winner checking to see how much time it had left. You may like it more if you are more into shirtless Clark Gable than I am.