THE BISHOP’S WIFE (1947)

Cary Grant is an angel who appears in the life of a tightly-wound workaholic bishop, but ends up attracted to his wife in a movie that is effortlessly charming, but also simultaneously so weightless that it seems on the verge of evaporation.

GONE WITH THE WIND (1939)

It’s well over three hours, is super racist, and features a very unlikable heroine. It’s also maybe the single biggest hit of all time.