BEN-HUR (1959)

The biggest hit of its day has a supreme technical achievement slung over a story that feels to me like middling Bible fanfic.

TO BE OR NOT TO BE (1942)

A surprisingly funny take on World War II from the point of view of Polish actors, that came out only 3 months after Pearl Harbor.

REBEL WITHOUT A CAUSE (1955)

James Dean’s most famous role, in the movie that kind of invented being a teenager.

THE THING (1982)

A classic of all-encompassing paranoia, with some of the best practical effects you’ll ever see.

ANNIE HALL (1977)

My favorite romantic comedy of all time, it uses new tricks in every scene to get inside the neurotic heads of its characters.

RAGING BULL (1980)

Scorsese’s “masterpiece” about a boxer whose life falls apart because of his toxic masculinity.

EVE’S BAYOU (1997)

This is a drama with an all-Black cast, set deep in Louisiana. I wanted to like it more than I actually did.

THE FRENCH CONNECTION (1971)

The car chase is justly famous, but these days its cops with a “shoot first ask questions later” attitude are extremely hard to root for.

CHINATOWN (1974)

The definitive neo-noir, a movie I love, now inextricably linked with the crimes of its director.