A very influential documentary that was far ahead of its time in both its talking head approach and its LGBT themes, though for few films am I more confident saying “your mileage may vary.”
A surprisingly tense thriller about two guys who pick up a hitch-hiker only to quickly discover he’s actually a serial killer, that is considered the only “classic” film noir directed by a woman.
An early independent film about a “born loser” woman who “doesn’t know why she exists.” So that’s fun.
A very low-budget 1980s film with concerns far more esoteric than your average movie, which wouldn’t be rediscovered until decades later.
A “big” hit about a kid trapped in adult’s body, which works almost entirely because Tom Hanks believably plays a 13-year-old boy.
A unique film about the Gullah culture on the coast of South Carolina, with a beautiful visual sense and an insistence on discursive storytelling.
A highly controversial drama about the Holocaust, trauma, and sadomasochism, among other things. It’s probably better than that combination makes it sound.
Considered the first great film made about the Olympics, it is also, unfortunately, a highly effective piece of Nazi propaganda.
The most mid-90s of mid-90s movies is somehow based on a Jane Austen novel, and also somehow really good.
A very early drama about the effects of poverty from the first famous female director.