A highly controversial drama about the Holocaust, trauma, and sadomasochism, among other things. It’s probably better than that combination makes it sound.
Federico Fellini’s exaggerated childhood memories form the basis for this story of a year in the life of a 1930s Italian small town.
Seriously one of the better horror movies I’ve seen, surrounded by jingle bells and tinsel.
The definitive neo-noir, a movie I love, now inextricably linked with the crimes of its director.
Still shocking, after all these years.
Mel Brooks takes a western pastiche and pushes the boundaries of comedy about racism. Oh, and it’s super funny.