This “jukebox musical” of patriotic Broadway hits showcases James Cagney’s powerhouse performance, but that’s basically the only part of the movie that works for me.
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THE GODFATHER (1972)
Francis Ford Coppola’s mafia epic is now fixed in American culture.
BLAZING SADDLES (1974)
Mel Brooks takes a western pastiche and pushes the boundaries of comedy about racism. Oh, and it’s super funny.
SOME LIKE IT HOT (1959)
I had, um, some issues with this comedy about cross-dressing and/or dudes that want to sleep with Marilyn Monroe.
THE APARTMENT (1960)
Winning performances set against stark corporate modernism highlight a fun comedy, albeit one with a surprising amount of attempted suicides.
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