DR. STRANGELOVE OR: HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (1964)

A spectacular, hilarious comedy about the end of the world.

A NIGHT AT THE OPERA (1935)

The Marx Brothers reinvented comedy for the sound era, but had to tone down their sheer anarchy (a little) to score their biggest hit.

APOCALYPSE NOW (1979)

A movie that looks deep into its own soul and finds only horror.

STAR WARS (1977)

Somewhere beneath everything that’s been piled on top of it is one of the greatest movies ever made.

SOPHIE’S CHOICE (1982)

Meryl Streep’s all-timer of a performance can’t make me ever want to watch this movie again.

MIDNIGHT COWBOY (1969)

It earned an X-rating for its “homosexual frame of reference,” but I mostly found unrelentingly depressing.

BEN-HUR (1959)

The biggest hit of its day has a supreme technical achievement slung over a story that feels to me like middling Bible fanfic.

ANNIE HALL (1977)

My favorite romantic comedy of all time, it uses new tricks in every scene to get inside the neurotic heads of its characters.