THE BISHOP’S WIFE (1947)

Cary Grant is an angel who appears in the life of a tightly-wound workaholic bishop, but ends up attracted to his wife in a movie that is effortlessly charming, but also simultaneously so weightless that it seems on the verge of evaporation.

WUTHERING HEIGHTS (1939)

The most Hollywood version of Emily Brontë’s weird, gothic masterpiece, which is still pretty weird and gothic if that’s what you’re into.