LA STRADA (1954)

Italy brings a strong representative to our Winter Festival in Fellini’s modern fable of an innocent young woman who ends up on the road with a brutish circus performer.

AMARCORD (1974)

Federico Fellini’s exaggerated childhood memories form the basis for this story of a year in the life of a 1930s Italian small town.

8 ½ (1963)

Federico Fellini couldn’t figure out how to make a movie and made a movie about not being able to make a movie. I’m still trying to figure it out.

THE GODFATHER PART II (1974)

This all-encompassing sequel involves at least two separate movies that never quite meet.

THE GODFATHER (1972)

Francis Ford Coppola’s mafia epic is now fixed in American culture.