DUCK SOUP (1933)

The Marx Brothers got the most freedom of their careers and used it to skewer patriotism, fascism, and war as bum deals for suckers.

THE TREASURE OF THE SIERRA MADRE (1948)

A story where three very grizzled dudes find gold in the wilderness and it drives them all nuts. A manly man’s parable about greed.

HIGH NOON (1952)

A western parable in which Gary Cooper is very convinced he is right and everyone else is wrong. He would have fit right in on Twitter.

A CLOCKWORK ORANGE (1971)

An “ultra-violent” discussion of free will, human nature, and what it means to be good. At least, I think that’s what’s happening?

KING KONG (1933)

The original monster movie continues to thrill when it comes to its giant gorilla. The rest of the movie has not aged as well.

THE SHAWSHANK REDEMPTION (1994)

A wildly popular, theoretically inspirational prison drama slash… allegory? metaphor? daydream?

PSYCHO (1960)

Alfred Hitchock’s sort of crazy little thriller basically invented the slasher genre and is still studied by film nuts sixty years later.

2001: A SPACE ODYSSEY (1968)

Kubrick’s Science Fiction masterpiece is more of a grand artistic statement than a movie. I love it so much.

DOUBLE INDEMNITY (1944)

Perhaps the ultimate Film Noir, about two murderers who are not nearly as smart as they think they are.

THE WILD BUNCH (1969)

A violent, nihilistic revisionist Western that changed how violence was shown on-screen.