THE LIFE AND DEATH OF COLONEL BLIMP (1943)

A truly amazing movie that takes a negative stereotype and helps us understand him, in beautiful technicolor, with some of the most interesting performances I’ve seen, all made in England during the Blitz.

THE BAREFOOT CONTESSA (1954)

A Hollywood satire decades ahead of its time, but also in my opinion a total mess as an actual movie.

DET SJUNDE INSEGLET (1957)

Ingmar Bergman’s allegorical classic about the absence of God during a plague really, really hit home with me on this viewing. Wonder why?

THE MAGNIFICENT AMBERSONS (1942)

Orson Welles’ “Citizen Kane” follow-up was cut-up by the studio but remains extremely impressive technically. I found myself mostly annoyed at the characters.

LATE SPRING (1949)

An aggressively minimalist postwar Japanese family drama from Yasujiro Ozu, about a daughter who just wants to take care of her aging father, even though everyone else wants her to get married to literally anyone.

SOME CAME RUNNING (1958)

A mid-century melodrama in which Frank Sinatra plays a soldier returning to a small town. It has some interesting shots but never really rises above its potboiler status.

THE LEARNING TREE (1969)

The first ever studio movie from a Black director tells the semi-autobiographical story of its director growing up in 1920s Kansas, and I was actually pretty impressed with it as a movie.

THE LAST EMPEROR (1987)

Our Forgotten Best Pictures Film Festival closes with an interesting epic about the final emperor of China, who lived a fascinating life despite lacking any personal agency whatsoever.

KRAMER VS. KRAMER (1979)

Dustin Hoffman and Meryl Streep fight over custody of a mop-topped little kid who is going to need so much therapy after this.

THE GREATEST SHOW ON EARTH (1952)

If you love circuses, good for you. This Best Picture winner is way too long and has way too much circus, and when the characters actually talk to each other it’s even worse.