AMARCORD (1974)

Federico Fellini’s exaggerated childhood memories form the basis for this story of a year in the life of a 1930s Italian small town.

THE LIFE AND DEATH OF COLONEL BLIMP (1943)

A truly amazing movie that takes a negative stereotype and helps us understand him, in beautiful technicolor, with some of the most interesting performances I’ve seen, all made in England during the Blitz.

THE BAREFOOT CONTESSA (1954)

A Hollywood satire decades ahead of its time, but also in my opinion a total mess as an actual movie.

DET SJUNDE INSEGLET (1957)

Ingmar Bergman’s allegorical classic about the absence of God during a plague really, really hit home with me on this viewing. Wonder why?

THE MAGNIFICENT AMBERSONS (1942)

Orson Welles’ “Citizen Kane” follow-up was cut-up by the studio but remains extremely impressive technically. I found myself mostly annoyed at the characters.

LATE SPRING (1949)

An aggressively minimalist postwar Japanese family drama from Yasujiro Ozu, about a daughter who just wants to take care of her aging father, even though everyone else wants her to get married to literally anyone.

SOME CAME RUNNING (1958)

A mid-century melodrama in which Frank Sinatra plays a soldier returning to a small town. It has some interesting shots but never really rises above its potboiler status.

THE LEARNING TREE (1969)

The first ever studio movie from a Black director tells the semi-autobiographical story of its director growing up in 1920s Kansas, and I was actually pretty impressed with it as a movie.

THE LAST EMPEROR (1987)

Our Forgotten Best Pictures Film Festival closes with an interesting epic about the final emperor of China, who lived a fascinating life despite lacking any personal agency whatsoever.

KRAMER VS. KRAMER (1979)

Dustin Hoffman and Meryl Streep fight over custody of a mop-topped little kid who is going to need so much therapy after this.