UN CHIEN ANDALOU (1929)

Probably the best known surrealist avant garde movie, co-created by none other than Salvador Dalí. He wanted it to piss everyone off, and was annoyed that people seemed to like it.

THE HITCH-HIKER (1953)

A surprisingly tense thriller about two guys who pick up a hitch-hiker only to quickly discover he’s actually a serial killer, that is considered the only “classic” film noir directed by a woman.

THE VISITOR (1979)

A truly nuts lost 70s sci-fi(?)/horror(?) classic(?) involving an evil tween, her pet falcon that pecks out people’s eyes, people in wheelchairs getting thrown through large aquariums, dramatic games of Pong, and John Huston slowly walking down the world’s tallest escalator. I love it so much.

FANTASIA (1940)

Disney’s early foray into “high culture” is probably weirder to than you remember and also includes a satisfying amount of dinosaur-on-dinosaur violence.

PERSONA (1966)

Perhaps the most debated and dissected “art film” of all time, about a woman who refuses to talk and her nurse, stuck alone together in an island cottage, who seem to gradually merge into a single person. Or do they?

MY MAN GODFREY (1936)

One of the screwiest of all screwball comedies not only has plenty of jokes , but skewered the vacuity of the upper classes in a way that still resonates today.

THE OUTLAW JOSEY WALES (1976)

As Clint Eastwood’s latest film is released in theaters and on streaming, we revisit another 45 year old Western in which he directed and starred.

JURASSIC PARK (1993)

Perhaps the best of the Steven Spielberg popcorn movies, with dinosaur effects that incredibly still hold up 28 years later.