TO SLEEP WITH ANGER (1990)

A Magical Realist story of a Black family in Los Angeles that throws out a lot of ideas, and leaves us to our own conclusions.

THE CONNECTION (1961)

This is sort of the closest thing you’ll find a movie by and for the Beat Movement, an interesting exercise but I’m not sure it actually works as a film.

TOOTSIE (1982)

Dustin Hoffman shows women how to be a real feminist in maybe my least favorite of the AFI’s “Top 100” American movies.

REPO MAN (1984)

Sort of a punk rock apocalypse. Or a comedy about some sort of alien invasion. Or a cautionary tale about the Neutron Bomb. Or…

ALL QUIET ON THE WESTERN FRONT (1930)

Perhaps the ultimate anti-War movie, its battle scenes represented a quantum leap for movies. Some of the smaller things may not hold up, but the message does.

TAXI DRIVER (1976)

Scorsese’s portrait of the classic lone wolf white male remains highly acclaimed, but I wonder if it hasn’t done more harm than good.

A PLACE IN THE SUN (1951)

A somewhat dated melodrama about people who are deeply unhappy despite being extremely pretty. One of them falls out of a rowboat.